By Andreas Gailus
Passions of the Sign lines the impression of the French Revolution on Enlightenment notion in Germany as evidenced within the paintings of 3 significant figures round the flip of the 19th century: Immanuel Kant, Johann Wolfgang von Goethe, and Heinrich von Kleist. Andreas Gailus examines a mostly missed strand within the philosophical and literary reception of the French Revolution, one that reveals within the ancient incidence of revolution the expression of a basic mechanism of political, conceptual, and aesthetic perform.
With a detailed examining of a severe essay by way of Kleist, an in-depth dialogue of Kant's philosophical writing, and new readings of the novella shape as hired via either Goethe and Kleist, Gailus demonstrates how those writers set forth an brisk version of language and subjectivity whose volatile nature reverberates in the very foundations of society. Unfolding within the medium of lively symptoms, human job is proven to be topic to the counter-symbolic strength that lies inside of and past it. historical past is topic to contingency and is known no longer as a revolutionary narrative yet as an expanse of innovative probabilities; language is topic to the extra-linguistic context of utterance and is conceived basically now not in semantic yet in pragmatic phrases; and theindividual is topic to impersonal have an effect on and is figured now not because the locus of self-determination yet because the website of passions that exceed the self and its excitement principle.
At as soon as a ancient and a conceptual learn, this quantity strikes among literature and philosophy, and among textual research and theoretical hypothesis, attractive with contemporary discussions at the prestige of sovereignty, the importance of performative language in politics and paintings, and the presence of the impersonal, even inhuman, in the economic climate of the self.
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Passions of the signal lines the impression of the French Revolution on Enlightenment inspiration in Germany as evidenced within the paintings of 3 significant figures round the flip of the 19th century: Immanuel Kant, Johann Wolfgang von Goethe, and Heinrich von Kleist. Andreas Gailus examines a mostly neglected strand within the philosophical and literary reception of the French Revolution, one that unearths within the historic prevalence of revolution the expression of a primary mechanism of political, conceptual, and aesthetic perform.
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Additional resources for Passions of the Sign: Revolution and Language in Kant, Goethe, and Kleist (Parallax: Re-visions of Culture and Society)
Passions of the Sign: Revolution and Language in Kant, Goethe, and Kleist (Parallax: Re-visions of Culture and Society) by Andreas Gailus